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・ Center for Molecular and Biomolecular Informatics
・ Center for Molecular Neurobiology Hamburg
・ Center for Muslim-Jewish Engagement
・ Center for Nanophase Materials Sciences
・ Center for Nanoscale Materials
・ Center for NanoScience
・ Center for Nanotechnology in Society
・ Center for National Policy
・ Center for National Response
・ Center for Natural Hazards Research
・ Center for Naval Analyses
・ Center For Naval Aviation Technical Training Unit Keesler
・ Center for Negative Carbon Emissions
・ Center for Neighborhood Technology
・ Center for Neural Science
Center for New Music and Audio Technologies
・ Center for Northern Studies
・ Center for Nutrition Policy and Promotion
・ Center for Ocean Exploration and Archaeological Oceanography
・ Center for offentlig kompetenceudvikling
・ Center for Open Science
・ Center for Organizational Performance
・ Center for Pacific Islands Studies
・ Center for Pan Asian Community Services, Inc.
・ Center for Pastor Theologians (CPT)
・ Center for Peacebuilding
・ Center for Pelvic Health
・ Center for Performance Research
・ Center for Personalized Education for Physicians
・ Center for Pharmaceutical Research and Innovation


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Center for New Music and Audio Technologies : ウィキペディア英語版
Center for New Music and Audio Technologies

The Center for New Music and Audio Technologies (CNMAT ) is a multidisciplinary research center within University of California, Berkeley Department of Music. The Center's goal is to provide a common ground where music, cognitive science, computer science, and other disciplines meet to investigate, invent, and implement creative tools for composition, performance, and research. It was founded in the 1980s by composer Richard Felciano.
Located in the Berkeley Hills on the north edge of the UC Campus, the CNMAT facility includes a variety of state-of-the-art workspaces and equipment.
==Research==
CNMAT's Research Program pursues inquiry and invention with a broad range of projects. A special interest is in the innovative application of technology to musical composition and performance, with emphasis on interactivity, real-time processes, and new instruments that combine exceptional quality with high degrees of expressive control. Current research topics include:
* Robust Sound Analysis
* High Quality, Reactive Sound Synthesis
* Intelligent Instruments: neural network control and gestural interfaces.
* Rhythm Perception, Production, and Representation
* Guitar Innovation Group
* Organ Analysis and Synthesis
* Sound Spatialization

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